2023
criticism:
Maria Hassabi’s Distorted Mirror – frieze
Music Heals: Lydo – e-flux Criticism
Jota Mombaça’s “A CERTAIN DEATH/THE SWAMP” – e-flux Criticism
Continuously Surviving: Suneil Sanzgiri – Mousse
Juliana Huxtable and Tongue in the Mind – e-flux Criticism
Bea Schlingelhoff: Alle Tage Sabotage – Mousse
Songs for Living and Dying – Terraforma
2022
criticism:
Concrete Poetry: Ignacio Gatica – Mousse
Documenta 15 – Artforum
Institutional Critique: Expanding the Frame – The Art of Critique (Franz Hals Museum/Lenz Press, 2022)
Tony Cokes’s “Fragments, or just Moments” – art-agenda
Decolonial Love: Daniela Ortiz – Mousse
Whitney Biennial 2022: Quiet as It’s Kept – Mousse
Subconscious Drives: Nathalie Djurberg & Hans Berg – Terraforma
2021
criticism:
Kang Seung Lee: Relating Otherwise – Heichi
Chicago Works: Omar Velázquez – art-agenda
Unplaceable Objects: Miho Dohi – Mousse
Is It Déjà Vu?: Lorraine O’Grady’s Cutting Out the New York Times (1977) and Cutting Out CONYT (1977/2017) – Lorraine O’Grady: Both/And (Dancing Foxes Press/Brooklyn Museum, 2021)
“Speculations on the Infrared” at EFA Project Space – art-agenda
2020
criticism:
Zheng Bo – Spike
Cruel Intentions: Bri Williams – Mousse
“Scrivere Disegnando” at Centre d’Art Contemporain – frieze
Giulia Essyad at Cherish – Artforum
To Be Seen – Spike
American Artist at Queens Museum – Spike
Private Eye: Condo London 2020 – Artforum
Devotions and Deviations: Aviva Silverman – Mousse
2019
publication:
A diminished poetry. An expanding (and contracting) writerly. Fragments, for Rindon Johnson – Centre d’édition contemporaine, Geneva
criticism:
Remembering Ren Hang – Dazed
Interview with Civilization – Kaleidoscope
Sadaf H Nava at 17ESSEX – Artforum
Interview with Ahmet Ögüt – King Kong
Interview with Santiago Sierra – King Kong
Julie Tolentino at Commonwealth and Council – Artforum
Interview with Jimmy Robert – PIN-UP
Ritual and Revolt. On Barbara McCullough’s “Shopping Bag Spirits and Freeway Fetishes: Reflections on Ritual Space” (1981) – Spike
Megan Rooney’s Missing Children – frieze
Wings of Desire: Berlin Art Week 2019 – Artforum
“Motions of This Kind: Propositions & Problems of Belatedness” at The Brunei Gallery, SOAS – Spike
Violet Dennison at Kunstverein Freiburg – Artforum
Interview with Huw Lemmey – i-D
“A Series of Readings and Performances Towards a Philosophy of Jet Lag” at Auto Italia – King Kong
Precious Okoyomon – Kaleidoscope
Arahmaiani at Museum MACAN – Spike
Hon Chi-fun at Asia Society Hong Kong Center – Artforum
Lu Yang – Spike
“Post-Nature – a Museum as an Ecosystem” at Taipei Museum of Fine Arts: Interview with Mali Wu – Spike
participation:
Encircling the Museum from the Countryside (with Amy Lien) – Rockbund Museum, Shanghai
Château Reading Series: Brandon Brown and Harry Burke – CODEX Books, New York
A Festival of Stories – Queens Museum, New York
curation:
Reading by Rindon Johnson and Precious Okoyomon – KW Institute for Contemporary Art, Berlin
2018
editorial:
ground (with Marlie Mul) – Self-published
criticism:
Tops & Flops 2018 – Spike
“Geographies of Imagination” at SAVVY Contemporary – frieze
Seen in Singapore – Vulture
Seen in Shanghai – Vulture
Julien Ceccaldi: Kölnischer Kunstverein / Cologne – Flash Art
Emma Portner: Love Is a Thick Glass – Spike
“The Conditions of Being Art (Pat Hearn Gallery and American Fine Arts, Co. (1983–2004)” at Hessel Museum of Art – Spike
Whitewalling: Art, Race & Protest in 3 Acts – ArtReview Asia
hamishi farah’s painting of dana schutz’s son exposes the art world’s white fragility (with Whitney Mallett) – i-D
Cici Wu at 47 Canal – Spike
Kirsten Pieroth at Mathew – Spike
Issues & Commentary: Here to Stay – Art in America
participation:
Fabriques de contre-savoirs (with Marlie Mul as ground) – 49 Nord 6 Est—FRAC Lorraine, Metz
Hopes and dreams for the future (with Amy Lien & Enzo Camacho) – Cordova, Barcelona
Baltic Triennial 13 – Lithuania, Estonia, Latvia
curation:
凔凔暖人 who loves in the world – Canton Gallery, Guangzhou
Bhanu Kapil, Khairani Barokka – SALTS, Basel
Segue Reading Series: February – March 2018 (with Precious Okoyomon) – Zinc Bar, New York
2017
publication:
Love During Wartime – If a Leaf Falls, Edinburgh
criticism:
Maria Hassabi – Spike
Stephen Cripps at Museum Tinguely – Spike
Our Common Thread: Cecilia Vicuña’s cloud net – Spike
Liquid, Concrete: concrete and screenshots – Jean-Michel Wicker, picturebook #1
“Inventing Downtown: Artist-Run Galleries in New York City, 1952-1965” at The Grey Art Gallery – Spike
Jackson Mac Low at The Drawing Center – Spike
Duane Linklater with Ethel Linklater & Tobias Linklater at 80WSE Gallery – Spike
participation:
Holland Festival: I’d Rather Be Outside (with åyr) – Stedelijk, Amsterdam
Perverts – Cell Project Space, London
curation:
Ho King Man: Stiff Cotton Brain Stone – SALTS, Basel
Hanne Lippard: Pocket – SALTS, Basel
2016
publication:
Brackets – Publishing House, New York
criticism:
Post Hyper Text – Spike
Sophia Le Fraga, Karl Holmqvist, Harry Burke In Conversation – Convolution
Bluntly Speaking: Dean Blunt at Arcadia Missa – Texte zur Kunst
Raphael Hefti: A) Negligence Causing a Fire – Mousse Publishing, Milan
Megan Rooney – Kaleidoscope
Aspirational Living – Trace Programme, Exploring Positioning
What’s ↑, Doc? On reading rabbit writing in Eduardo Kac’s The Lagoglyph Series – ekac.org
curation:
Works off Paper – SALTS, Basel
2015
criticism:
Shanzhai Biennial – Spike
Study #9, Untitled, Etel Adnan – David Roberts Art Foundation
“The Symptom of Art” at Cabinet – Spike
Page Break – on poetry beyond the page – Texte zur Kunst
Tony Oursler at Lisson – Art in America
carlos reyes is exploring the pasolini archive – i-D
we speak to the artists behind the ICA’s new exhibition, looks – i-D
Than Hussein Clark at David Roberts Art Foundation – Spike
Korakrit Arunanondchai – Spike
Artist Profile: Kari Altmann – Rhizome
Cécile B. Evans at Seventeen – Art in America
Blessed Are the Meek – Spike
Artist Profile: Emily Jones – Rhizome
curation:
Poems 1990–2001 – SALTS, Basel
Life Gallery: There’s No Space in Space – SPACE, London
Life Gallery: Our House in the Middle of Your Street – Vilma Gold, London
Life Gallery: Gili Tal, Lena Tutunjian – 44 Albion Street, London
2014
editorial:
I Love Roses When They’re Past Their Best – Test Centre, London
publication:
City of God (with Alessandro Bava) – Version House, Berlin
criticism:
holly childs and the art of turning web language into fiction – i-D
An illustration of process / an intervention into the museum – Raphael Hefti
Bunny Rogers – Flash Art
pics or it won’t happen – an overview of performance art at frieze 2014 – i-D
Fashion as performance art – Dazed
NewHive: A “Blank Canvas” for the Super-Feed – Rhizome
Capital “I” – Full Stop
We Are All Traitors: Interview with Bunny Rogers – Mousse
Art, Bed and Breakfast: The AIRBNB Pavilion – Rhizome
Why Holly Childs is the baddest writer around – Dazed
Constructions of Truth In A Drone Age: “Forensis” at HKW, Berlin (with Lucy Chinen) – Rhizome
curation:
surplus living group exhibition (with Elisa R. Linn & Lennart Wolff) – km temporaer, Berlin
2013
editorial:
Open Office Anthology (with Rózsa Farkas and Tom Clark) – Arcadia Missa, London
criticism:
Artist Profile: Harry Sanderson – Rhizome
Postscript (p.s. Forever) (with Rózsa Farkas) – Mute
Younger than Rihanna – Rhizome
curation:
Random House (with Rózsa Farkas) – Arcadia Missa, London
Insitute Bianche – Library +, London
2012
curation:
Net Narrative – Carlos/Ishikawa, London