Harry Burke is an art critic and a PhD candidate in History of Art at Yale University, New Haven.
recent writing:
Maria Hassabi’s Distorted Mirror, frieze
Continuously Surviving: Suneil Sanzgiri, Mousse
Jota Mombaça’s “A CERTAIN DEATH/THE SWAMP”, e-flux Criticism
Juliana Huxtable and Tongue in the Mind, e-flux Criticism
Documenta 15, Artforum
Whitney Biennial 2022: Quiet as It’s Kept, Mousse
Is It Déjà Vu?: Lorraine O’Grady’s Cutting Out the New York Times (1977) and Cutting Out CONYT (1977/2017), Lorraine O’Grady: Both/And (Dancing Foxes Press/Brooklyn Museum, 2021)
twitter: @harryb_rke
instagram: @harryb_rke
email: h@harryburke.info
