Harry Burke is an art critic and a PhD candidate in the History of Art at Yale University, New Haven.

recent writing:
Riar Rizaldi: Spirit Cinema, Mousse
24th Biennale of Sydney, e-flux Criticism
Maria Hassabi’s Distorted Mirror, frieze
Juliana Huxtable and Tongue in the Mind, e-flux Criticism
Documenta 15, Artforum
Whitney Biennial 2022: Quiet as It’s Kept, Mousse
Is It Déjà Vu?: Lorraine O’Grady’s Cutting Out the New York Times (1977) and Cutting Out CONYT (1977/2017), Lorraine O’Grady: Both/And (Dancing Foxes Press/Brooklyn Museum, 2021)

twitter: @harryb_rke
instagram: @harryb_rke
email: h@harryburke.info

photograph: Jeannine Han